Blacklight

Master shots. Volume 3, The director's vision : 100 setups, scenes, and moves for your breakthrough movie /

Title:
Master shots. Volume 3, The director's vision : 100 setups, scenes, and moves for your breakthrough movie /
Author:
Kenworthy, Christopher, author.
Format:
Book
Institution:
Emerson College
Contents:
Advanced lensing : Long lens distant -- Long lens close -- Long lens stationary -- Long lens in motion -- Short lens distant -- Short lens close -- Short lens stationary -- Short lens in motion -- The medium lens -- Cutting the lens -- Essential motion : Blended moves -- Camera in motion -- Character drives camera -- Reveal moves -- Move with camera -- Moving straight on -- Moving sideways -- Moving at an angle -- Short moves -- Turns and curves -- Depth staging : Character moves -- Crossing -- Move to frame -- Moving point of view -- move to reveal -- Move with reflection -- Reversed push -- Velocity dolly -- Expert framing : Line cross -- Break cut -- Pan motion -- Push through -- Repeat angle push -- Tilt reveal -- Rotate out -- Silhouette -- Symbolic staging : Double push -- Magnetic characters -- Intimacy break -- High drag -- Power exchange -- Indecision -- Isolating push -- Group break -- Production design and location : Anti-establishment shots -- Dirty frame -- Enrich the foreground -- Fake wall -- Framing through -- Framing focus -- Personal reveal -- Reflection establishment -- Reverse reflection -- Dynamic action : Action shift -- Misdirected motion -- Return to subject -- Paused push -- Push against flow -- Motion circle -- Conveying speed -- Turn cut -- Shooting performance : Opening the scene -- Body acting -- Core close-ups -- Extreme close-ups -- Angled talk -- Slide into scene -- Owning a scene -- Parallel space -- Separating characters -- Camera height : Head heights -- Angle intrusion -- Angled heights -- Down to camera -- Flattening the shot -- High angle -- Motionless look-up -- Unseen face -- Low slide -- Seated power -- Complex camera moves : Complex spin -- Actors in motion -- Cutting from the master -- Diagonal reveal -- Long track -- Dolly frame -- Push to close-up -- Wide to close -- Opposing slide -- Group in motion -- The advanced director : Deep blocking -- Motivate the camera -- Developing motion -- Making use of space -- Lost geography -- Character view -- Story points -- Scene staging -- Visualizing the scene -- Creating on-set -- Conclusion.
Online access:
No online access
Library holdings:
Emerson Main Stacks
TR850 .K4633 2013 – Available