Blacklight
Philosophy of modern music /
- Title:
- Philosophy of modern music /
- Author:
- Adorno, Theodor W., 1903-1969.
- Format:
- Book
- Institution:
- MassArt, New England Conservatory
- Contents:
- Choice of subject matter -- New conformism -- False musical consciousness -- "Intellectualism" -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and progress: disturbance of the work -- Inherent tendency of musical material -- Schenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avan-tgarde and theory -- Renunciation of material -- Cognitive character -- Attitude towards society
- Online access:
- No online access
- Library holdings:
-
MassArt Main
ML197 .A3 1973
–
Available
-
New England Conservatory Spaulding Library
ML197.A25 P5
–
Available